Is This the World’s Prettiest Makeup?
Has the beauty packaging of the past few years made you feel a bit…sleepy? So much beige, so much black and white (like the beauty equivalent of mid-century modern furniture), so many sans serif fonts. Enter C-beauty, where you’ll find some of the most beautiful, new, and exciting makeup.
Much like K-beauty and J-beauty before it, Chinese beauty is racking up likes on social media largely because of its ingenuity and influence on stateside beauty trends. “Western makeup will come out with something, and I’ll be like, ‘This is the thing that Chinese makeup came out with three years ago,’” says Bronte-Marie Wesson, a makeup artist and content creator in Australia. Wesson points to launches by Western brands that resemble what she’s long seen in C-beauty. Which means you should soon expect to be using current C-beauty innovations like lip mud, a matte, paste-like liquid with a blurry finish; or matte highlighter (a name as confusing as “no-makeup makeup”), which is meant to camouflage small areas of uneven skin tone.
Chinese beauty brand Florasis is so confident in its peerlessness that it has unofficially made being “the world’s most beautiful makeup” its claim (content creator Jeffree Starr made a video testing out the products with the same title, and hundreds more exist). Founded in Hangzhou, near West Lake, poets going back to the Song Dynasty have written about the “cloud-capped hills” and mirror-like lakes of this freshwater locale, a Unesco Heritage site which serves as the cultural touchpoint for much of Florasis’ Chinese art-inspired packaging. Its eye shadow palettes elicit three-second gasps from vloggers, with their scrollwork-like embossing. As you twist up the bullet of a Blooming Rouge Love Lock lipstick, Florasis’ hero product, you’ll see depicted an ancient story like “The Legend of the White Snake,” a tale of the forbidden romance between a man and a snake spirit. It’s not uncommon for some fans to buy two sets of a collection, one to use and one to have as a keepsake. Another popular brand, Flower Knows, has a Swan Beauty collection featuring a canister of loose setting powder with swan cut-outs, a bow-topped powder puff, and a filigree overlay straight out of Sofia Coppola’s Marie Antoinette.
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Both Chinese and Korean beauty products may use herbs and botanicals that are found in their culture’s traditional medicines. But Chinese beauty seems to go 180 on the trends popularized in Korea: elaborate makeup rather than a 10-step skin care routine; matte skin instead of dewy; micro glitter instead of sheer shadows; and spidery lashes (also called manhua or anime lashes) instead of clean ones. Cosplay is a big subculture in China; the viral beauty looks on Douyin (the Chinese version of TikTok) and Xiaohongshu (an app combining elements of Instagram and Pinterest) focus on high-contrast, transformational looks. Wesson tells me, “If you walk into a [K-beauty store], you will largely see natural eye shadow palettes. Whereas on Xiaohongshu, you have these fantastical looks, like butterfly wings and crystals. There are water droplets glued to the eyelids. There is much more of a fairy-tale sensibility about makeup.”
There are cultural reasons for this over-the-top packaging and relentless innovation: Chinese Gen-Z consumers are voracious. “The under-25s in China are set to become some of the wealthiest consumers in the world by 2025,” says Millie Mei, a content creator who works in digital marketing. “When they buy something, there needs to be something extra.” Allegedly, Western beauty brands typically release products every seven to 18 months. Chinese brands release products in less than six months. “If you’re not moving forward, someone else is,” says Hong Kong makeup artist and creator TJ Tan. To her, the cultural need for perfection is also a factor. “I don’t think there’s an option for Chinese makeup to do something and not provide 100 percent perfect packaging for its clientele.”
This standard may run counter to Sinophobic stereotypes, persistent since the country’s manufacturing boom in the ’80s and resurrected during the pandemic. Chinese beauty brands and their fans are trying to redefine the words “Made in China,” one extravagant rococo palette at a time. Says content creator Sharon Wu, “Whenever I post about C-beauty, I have to prepare myself for certain comments. China produces a lot, so there will be products of worse quality, but also really well-made products.” As Florasis global expansion president Gabby Chen reminds me, “Your iPhone is made in China.” Ultimately, the openmouthed awe that C-beauty fans have for the products speaks for itself. Overseas sales of Florasis are growing exponentially every year. One day, Chen says, “You will see us in Paris.”
A version of this story appears in the November 2023 issue of ELLE.
ELLE Beauty Director
Kathleen Hou is ELLE”s Beauty Director. Previously, she held the same title at New York Magazine’s The Cut. She’s appeared in publications such as New York, The New York Times Magazine, Vogue India, Forbes, and Allure. She was also a co-founder of Donate Beauty, a grassroots beauty donation project started during the COVID-19 crisis, which donated over 500,000 products to over 30,000 healthcare workers across 500+ hospitals.
