Culture

Paul Feig is a little surprised to be here, too. The director of fan-favorite films like “Bridesmaids,” “Spy” and “The

Bill Belichick‘s weekend interview with CBS was meant to catapult him back into public consciousness as the legendary football coach drops

“Turning Point: The Vietnam War” opens with Brooklyn-born Scott Camil telling his piece of the American story. Camil says his

Lili Taylor has changed my opinion on house sparrows forever. In her first book, “Turning to Birds: The Power and

The spring edition of Bob Dylan’s “Rough and Rowdy Ways 2025” tour rolled into Kalamazoo, Michigan, on a Wednesday evening

Now in its third year, the American Music Honors convened on Saturday evening at Monmouth University in unforgettable fashion. Presented

The Trump Administration has declared war on Black history.  By way of executive orders, the administration has taken aim at

Mike Myers is uniquely positioned to poke fun at the administration of Donald Trump. The Canadian-American comedian and former cast

There was a time when “60 Minutes” was all but required Sunday night viewing in American households. This was long

The night before his 2013 debut feature “Fruitvale Station” hit theaters, director Ryan Coogler sat down for a wide-ranging talk

When did you stop rooting for Joe Goldberg? Were you ever rooting for him? Admittedly, “You” — the Netflix series

With a grip of bestselling books, a successful series of movies and about a half-decade of goodwill-destroying social media posting,

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It seems like ancient history now, but once upon a time, there was a little backdoor pilot that dreamed of

What does Meghan really want? It’s a question I’ve been returning to at regular intervals over the last few years.

Despite all the power her cultural influence and financial lobbying buy her, it’s comforting to know that J.K. Rowling is

The second season of “Andor” is a ticking clock counting down to the Galactic Civil War that launched “Star Wars.”

HBO’s strained and curious relationship with fathers dates back to 1999, when we witnessed Tony Soprano (James Gandolfini) reconcile his

There’s something peculiar about the swathes of glowing, yellow celestial fabric that cascade over the opening credits of David Cronenberg’s

“The Ugly Stepsister,” written and directed by Emilie Blichfeldt, takes its cue from “Cinderella,” but this inspired body horror comedy