An Exclusive First Look at Deesha Philyaw’s The True Confessions of First Lady Freeman

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Deesha Philyaw spent two decades trying to get Scharisse Freeman to church.

It’s not that Scharisse didn’t want to be there. Scharisse would be a pastor’s wife, and not just any pastor’s wife, but wife to the pastor “of one of the largest Black megachurches in America.” She would be a “first lady,” a “Proverbs 31 Woman,” the “Beyoncé of evangelicals,” and the protagonist of Philyaw’s debut novel, The True Confessions of First Lady Freeman. The problem wasn’t that Scharisse was unwilling to sit in church. The problem was, Philyaw tells me, that “I did not know how to write a novel.”

Raised in Florida, Philyaw studied economics at Yale University and education at Manhattanville College, and thus had no formal education in writing when she first decided to attempt drafting a novel, she explains. “I’ve always been a big reader, taking workshops and going to conferences and reading craft books,” she says. “I thought writing a novel makes you a real writer.” But the early version of Scharisse that Philyaw imagined back then was miserable; she hated being a megachurch’s first lady. That misery seemed to seep into Philyaw’s pages, and she struggled to get the book to “go anywhere,” she says. “As I later could articulate, there was not a lot at stake; there was not a lot happening.”

Instead, she pivoted to writing a book about co-parenting with her ex-husband, which the two of them released in 2013: Co-Parenting 101: Helping Your Kids Thrive in Two Households After Divorce. Philyaw’s agent, who had signed with the author on account of Co-Parenting 101, asked Philyaw what was next. Another nonfiction title? Perhaps a novel? Philyaw admitted she had an idea—she had, in fact, already been working on that idea—but she kept getting stuck in the process. Her “hiatuses” from the novel started lasting years.

“At the same time, I was writing some short stories, and I didn’t really see the through line in the stories, but my agent did,” Philyaw says. These short fiction pieces each featured women of faith—women not unlike those Philyaw had grown up around, especially in the Florida church where her mother and grandmother had sent her as a child. Over the subsequent handful of years, Philyaw workshopped her short fiction, and those women became the titular “church ladies” in Philyaw’s debut short story collection, the acclaimed and bestselling The Secret Lives of Church Ladies.

The collection went on to ignite Philyaw’s literary stardom: It became a 2020 National Book Award finalist, a Story Prize winner, a Pen/Faulkner Award for Fiction winner, and an L.A. Times Book Prize winner. But Philyaw knew before Church Ladies was even published that the time had come to give Scharisse her full attention.

“I remember the day I turned in my manuscript to my publisher for Church Ladies in 2019, everything just crystallized for True Confessions,” she says. “I was ready. I was more experienced as a storyteller…I could really let go and let Scharisse be herself, let her love being a first lady and all the culture and lifestyle that I don’t love. And then [I could] snatch it all away from her, and really give her some problems to contend with, in the form of a scandal that breaks.”

The result of that newfound confidence is The True Confessions of First Lady Freeman, Philyaw’s satirical debut novel, out September 29, 2026, with Mariner Books. True Confessions follows Scharisse as she enters the First Lady USA pageant, where she hopes to finally wrestle some respect out of “the other women” in her broader church community, the “daughters and granddaughters and great-granddaughters of pastors, deacons, assistant deacons, Sunday School teachers, and other proper churchfolk,” who “really don’t fuck with” Scharisse’s “Prada-and-stiletto steez”…not to mention her “unchurched” upbringing. But when Schar’s past comes back to haunt her—in the form of Philyaw’s aforementioned “scandal”—she discovers there’s only so much of her true self she’s willing to keep “locked up tighter than the Tiffany bracelets in my biometric safe.”

As ELLE is exclusively revealing today, the cover—with a jacket design by Yeon Kim and illustration by Carrie Graber—features the titular first lady in a green pinstripe suit, one leg slung across the throne on which she sits. That image, Philyaw says, was her idea: “Scharisse sitting on that throne with her leg thrown over and those red-bottom Louboutins, I could just see it. I wanted her to have a crown, and I wanted the crown to be a little askew because she’s not a straightforward traditional first lady. On the actual cover now, it’s on her knees and—without giving any spoilers—that fits, too. That was always my idea: that her posture, her body language, would tell the story.”

Ahead, Philyaw offers an inside look at the subjects that informed The True Confessions of First Lady Freeman; how The Secret Lives of Church Ladies influenced her approach; and what readers can expect from Scharisse, now that she’s finally ready to welcome us to church.

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<h2 data-node-id=On growing up in the church

I was raised by my mother and my grandmother, who sent me to church, but they didn’t go themselves. Both of them were single mothers. They are since deceased, so I haven’t had a chance to talk to them about this, but what I now understand as an adult is that they didn’t feel welcome at church because they were single. Interestingly, my grandfather was perfectly fine still being in church. Even though I didn’t have the language for that—that gender double standard—that was my introduction to it.

I was always watching the women inside of the church and outside of the church, because I was trying to see, Well, who can I become? There are all these rules about what you’re not supposed to do with your body and what you’re not supposed to do when it comes to sex, and who gets to have sex and who can you have sex with. I’m looking and trying to figure out, especially once my own body started changing, like, How do you navigate this? I wondered, Do the women in the church masturbate? Who do they have sex with if they’re not married, or do they really not have sex?

Then I went on into my adulthood, and I did everything right. I got married before I had children. I married a man. And I was still unhappy. I had the comfortable life in the suburbs and all of that. What I interpreted as the promises of evangelical Christianity just weren’t true for me. My early, early writing was attempting to take my dissatisfaction and fictionalize it, because I wasn’t brave enough to write it as nonfiction, even if nobody saw it.

Then over time, as I grew as a writer, I got more confident writing about what I really wanted to say, which is: How are [women in the church] navigating desire?

On writing a satirical novel

[In 2020], I took a satire writing workshop…One of the things that really stuck out with me was a quote from George Saunders, who talked about how you can’t satirize anything successfully unless you love it. You have to have some measure of love for the thing that you’re mocking, or else it’s just sneering.

That made me think about Church Ladies, which is not satirical, but I was like, “I’m very clear that I’m not sneering at the Black church. I’m not giving it a middle finger. I am being critical of it in ways that I think are necessary, but those are my roots.” Those are the people that raised me and that loved me and that cared for me. I think there are people who still embrace Black evangelical traditions who have good intentions and good hearts, and they’re not the ones causing the harm. That’s my culture. Those are my people. I always have love for them, but I don’t love the harm that the church does: the spiritual abuse, the sexual abuse, all of those things.

I’m always going to have a connection to [the church], but I can’t not talk about what I see and what I experienced and what so many women experienced. After slavery ended, [church] was the cornerstone of our community. That was the cornerstone and the foundation for the civil rights movement. Yet it was also the site of a lot of harm. Having a character take a literal stage and decide not to be silent, it just really came together for me.

deesha philyaw wearing a white shirt, seated against a wooden background.

SYLVIE ROSOKOFF

The author Deesha Philyaw.

On writing in the wake of The Secret Lives of Church Ladies

[The success of Church Ladies] gave me a huge amount of confidence. Writing a book can be brutal. It can just beat your ass with self-doubt and questioning. It’s not just that Church Ladies was successful by certain measures—in terms of getting awards and being in the conversation—but it was also the confirmation that there were people who cared about the things that I cared about, who related to the women that I wrote about. The book sparked conversation between mothers and daughters; [I was] invited to churches and church groups to talk about these things. I did not expect that at all. If that could happen once, I [thought] it could happen again: This story that’s been living in my head for 20 years could actually matter to other people.

So many things were stacked against me in terms of the odds and conventional wisdom: You “can’t” publish your first book as a short story collection. You have to lead with a novel, and we weren’t doing that. You “can’t” sell a book on a partial [manuscript], and we did. It was six stories when I sold it. All of the things that one would have advised against, it worked out. I’m like, “Let’s try this again.”

On pitching True Confessions to potential readers

I would describe it as a funny and candid story about the wife of a powerful megachurch pastor who has a very charmed life and has gotten the cheat codes for overcoming being a girl from the wrong side of the tracks, but then a big scandal breaks and her secret past threatens everything she’s built.

On the excitement of releasing her debut novel

I’m excited for readers to meet Scharisse. I think her story is entertaining, but it also has a lot of depth. I’m struck by the parallels between the cultural moment that this book is coming out and the cultural moment when Church Ladies came out: September 2026 and September 2020, both very uncertain and, in so many ways, terrifying times for us in this country.

I remember people telling me, in 2020, that [Church Ladies] was “the only happy thing that I had during this time when I was really scared.” To know that this story can be a light in that same way, I’m really hopeful about that.

[Church Ladies and True Confessions] are both books about freedom—about getting free, what freedom costs, what silence costs. Those are the parallels in our real life, in this country, in this world, around secrets and harm, and whose secrets we keep, and what it costs women. It’s usually women in these cases. And what happens when we start telling the truth?

This interview has been edited and condensed for clarity.

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